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Guide2 min read

Real estate photography basics for agents

Plenty of agents shoot their own listings, and there is nothing wrong with that. The results come down to a handful of habits far more than to the price of the camera.

The same room brightened: walls and stone floor visible, the city beyond the glass front, the sky redrawn.Room shot against a large window, walls and floor fall into black.AI-generatedBeforeAfter
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Room against the light

A modern phone camera is more than enough for a listing photo. What separates a good shot from a poor one is not the sensor but the preparation and the routine around it. Get those right and even a mid-range phone produces photos that hold their own on a portal.

Prepare the room before the camera

The most valuable minutes happen before you shoot. Open every blind, turn on every light, and clear the surfaces: post, dishes, the drying rack, the tangle of chargers. Straighten the cushions, hide the bins, move the car off the drive for exterior shots. A tidy room shot on a phone beats a cluttered room shot on a professional camera every time.

Height and angle

  • Hold the camera at chest height, around 1.4 metres, not at eye level.
  • Shoot from a corner toward the opposite corner to capture the most space.
  • Keep the camera level so walls and door frames stay vertical.
  • Avoid pointing up or down, which makes walls lean and rooms shrink.

Work with the light

Even light beats bright light. Shoot on an overcast day or in the softer light of morning and late afternoon, when the sun is not blasting through one window and leaving the opposite corner black. Turn the interior lights on to lift the shadows, and expose for the walls rather than the window. A window can be recovered in editing; a pure black corner cannot.

A room-by-room routine

Work the same way in every room and you stop forgetting things. Stand in the doorway or a corner, level the camera, take the wide shot, then one or two details that sell the room: the fireplace, the view, the fitted kitchen. Shoot every room, plus the hallway and the exterior. More frames cost nothing and give you a choice later.

The example on this page shows what editing does with a shot against the light: the dark room is brightened and colour-corrected, the view in the window is redrawn, which is why it carries the AI notice. Get the shot close in the camera and the edit is a light touch, exactly as it should be.